2023-5-4

在威尔士国家博物馆的50万件藏品中，最值得看的一件是乾隆晚期（1775-1790）的广彩人物外销瓷碗：

尽管博物馆对这件藏品的来龙去脉文档都做的很好，但是对瓷器知识的介绍寥寥，如云山雾罩。

• Bowl in hard-paste porcelain with raised footring, the body a rounded ogee shape, the upper body flaring and with an upturned rim; the exterior is painted in polychrome enamels with two 'Mandarin' style genre scenes, one of tea being served in an interior, the other showing a scholar standing at a table outside a pagoda with an attendant, these are framed by a simple black line border, between these are two areas of a diaper pattern in black enamel, with three reserves, at the center is a large reserve framed with a red enamel border with scrolling 'T' pattern in gilt, in which is a landscape composition in orange enamel, above and below this are two small cartouches with scroll borders in black enamel, framing stylized branches and foliage in orange enamel, at the interior rim is a simple stylized flower border in black and red enamel with a band of gilt beneath, at the interior base is a single flower painted freely in puce.

类似的广彩人物外销瓷藏品，在威斯康星大学博物馆里，也看到一只盘子，有过目不忘，似曾相识的心跳感觉：

知之为知之，不知为不知。威斯康星大学博物馆对这件藏品的断代是十八世纪的清叁代：

• Qing Dynasty (1644-1912); Kangxi (1662-1722), Yongzheng (1723-1735), or Qianlong (1736-1795) Reign Period。

但我的感觉，是这只盘子，不会比上面的那个瓷碗更早，清叁代到不了，清中期的可能性更大一些。因为广彩瓷器的断代和粉彩瓷器不同，粉彩瓷器的高峰是雍正，广彩瓷器的高峰是乾隆和嘉庆。

乾隆广彩瓷器