2023-5-4

在威爾士國家博物館的50萬件藏品中，最值得看的一件是乾隆晚期（1775-1790）的廣彩人物外銷瓷碗：

儘管博物館對這件藏品的來龍去脈文檔都做的很好，但是對瓷器知識的介紹寥寥，如雲山霧罩。

• Bowl in hard-paste porcelain with raised footring, the body a rounded ogee shape, the upper body flaring and with an upturned rim; the exterior is painted in polychrome enamels with two 'Mandarin' style genre scenes, one of tea being served in an interior, the other showing a scholar standing at a table outside a pagoda with an attendant, these are framed by a simple black line border, between these are two areas of a diaper pattern in black enamel, with three reserves, at the center is a large reserve framed with a red enamel border with scrolling 'T' pattern in gilt, in which is a landscape composition in orange enamel, above and below this are two small cartouches with scroll borders in black enamel, framing stylized branches and foliage in orange enamel, at the interior rim is a simple stylized flower border in black and red enamel with a band of gilt beneath, at the interior base is a single flower painted freely in puce.

類似的廣彩人物外銷瓷藏品，在威斯康星大學博物館裡，也看到一隻盤子，有過目不忘，似曾相識的心跳感覺：

知之為知之，不知為不知。威斯康星大學博物館對這件藏品的斷代是十八世紀的清叄代：

• Qing Dynasty (1644-1912); Kangxi (1662-1722), Yongzheng (1723-1735), or Qianlong (1736-1795) Reign Period。

但我的感覺，是這隻盤子，不會比上面的那個瓷碗更早，清叄代到不了，清中期的可能性更大一些。因為廣彩瓷器的斷代和粉彩瓷器不同，粉彩瓷器的高峰是雍正，廣彩瓷器的高峰是乾隆和嘉慶。

乾隆廣彩瓷器