三代歌川豊国的浮世绘木雕版-诗词歌赋-万维论坛-万维读者网（电脑版）

送交者: 席琳 2024年01月03日13:00:13 于 [诗词歌赋] 发送悄悄话

2024-1-3

纽约布鲁克林博物馆里，有一块日本浮世绘艺术家歌川国貞（Utagawa Kunisada）也就是（a.k.a. Utagawa Toyokuni III）三代歌川豊国(Japanese, 1786–1865）的雕刻木版：

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Utagawa Kunisada (Toyokuni III) (side a) (Japanese, 1786-1865). Double-sided Key Block for Ukiyo-e Print, ca. 1830. Side a: Toyokuni III (Kunisada) Three Women Musicians On a Balcony. A woodblock for ukiyo-e print of an autumn scene of women playing shamisen and biwa (musical instruments) with an attendant who carries tray with tea cup. Condition: Very good. Wood is stained black from ink used in printing.Brooklyn Museum。

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Side b: Keisai 18 Tokyo cuisine style dishes. (Tokyo ryori jyuuhachi sakana) Name of place: Sumiyoshi cho… (incomplete) The other name of place: Honya bakuro (bakuro) four Carver's name: Cho-ei Keyblock for outline of ukiyo-e print showing two women in a restaurant, holding papers in their hands. Condition: Few tiny breaks in outline. Old break (stable) at upper left. Cherry wood, 15 1/2 x 10 1/8 x 3/8 in. (39.4 x 25.7 x 1 cm).

This carving served as the key block, the first one made by the carver, based on Kunisada’s original drawing. It provides the basic outlines of the design. The key block was used to make a number of simple black impressions that served as guides for the carving of all subsequent blocks. The print made by this carving was the mirror image of what we see here, so all of the text on the block is in reverse. This block is actually signed by its carver, Asai Ginjirō (1844–1894). There was no general policy with regard to carvers signing their work, but such signatures are definitely in the minority.

想当年这样的雕刻木版也看到过一块，加工成了一个盒子，但被一个喜欢雕版印刷的朋友以五百块钱的价格给顺走了，不无遗憾。

下面这一块，是红楼梦的单面雕，尤氏别馆花盛图，可遇而不可求：

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