碗博译作原玉如下：

"Fortune Teller Format: Singing for Wintersweet Blossom"
Masterpiece Poetry by Southern Song Poet Lu You

Hanging tough outside a motel besides a broken bridge,
blooming alone yet does anyone care,
Already approaching dusk but solely in angst,
still wind and rain are bashing in square.
No point struggling to win favor of spring,
rendering other flowers simply jealous of it.
Battered into mud and crushed into ashes,
its aroma settling down not even a bit.

陆游原文：
驿外断桥边，寂寞开无主。
已是黄昏独自愁，更著风和雨。
无意苦争春，一任群芳妒。
零落成泥碾作尘，只有香如故。

逐句赏析：

"Fortune Teller Format:

--- 一眼看到 fortune teller,立马笑翻。然而细思，介个“卜算子”本来出身问题就很复杂，干脆译作 fortune teller，也许倒一了百了了。

Singing for Wintersweet Blossom"
Masterpiece Poetry by Southern Song Poet Lu You
 
碗博译作整体上精准雅致、流畅自然，用英文的触角来感受，也诗意十足。有个别小地方，讨论一番：

Hanging tough outside a motel besides a broken bridge,
--- 感觉 motel 在英文里，并非处在荒凉偏僻的区域。但古代中国的“驿”却是如此，古代的官路短距离内会整个小亭子歇脚，更远的距离则整个大亭子歇息吃干粮，所谓的“长亭”是也。古代送行多选在“长亭”。走过很多个长亭之后（百里之遥？），就会整个“驿（馆）”，这个“驿”灰常偏僻荒凉，常须自带行李吃食，都是上不着村下不着店时被迫将就一晚而已。陆游笔下的梅，是很落魄的，所以他营造的氛围一定要与繁华形成强烈对比，所以他笔下的梅花才开在“驿外”，而不在“苑内”。否则怎么会有下句的“寂寞”？俺知道这hotel，motel，hostel都是旅馆，但是不是和俺所言的驿的荒凉吻合，就得碗博和其他E文国家的诗友判断料。
 
blooming alone yet does anyone care,
--- 这句 does anyone care 发挥得好！

Already approaching dusk but solely in angst,
--- 用 angst 译“愁”？感觉程度稍微强烈了一点儿 这里的“愁”似乎是极度无奈而已。
 
still wind and rain are bashing in square.

No point struggling to win favor of spring,
rendering other flowers simply jealous of it.
--- 这两行精彩，“无意苦争春，一任群芳妒”这句，俺用脑细胞稍微过了一遍，顿觉灰常难译，在碗博笔下居然轻松变E，佩服。
 
Battered into mud and crushed into ashes,
--- 原文里的“碾”字很重要，车马碾压也，因为该梅花之所以要开在“驿外”，就是要再这句里让它被“碾”。古典诗词是一环扣一环的，前后呼应，每句都有内在联系。这点儿提请碗博斟酌。如果只能用一个动词，俺甚至建议不翻译“零落”也要翻译这个“碾”字。

its aroma settling down not even a bit.
--- 介句盖帽儿！要是俺翻译，肯定成：Only its aroma remains the same。哈哈哈
 
再赞碗博精彩译作！灰常成功！