太阳石目录 Catalog of The Sun Stone：18.1 虎劫 Tiger Catastrophe；18.2 风劫 Wind Catastrophe；18.3雨劫 Rain Catastrophe；18.4 水劫 Water Catastrophe

插图18.0是墨西哥国家博物馆的标志性文物，他们称之为太阳石，亦作日历石。这种日历在中华文化中是表示天道轮回的劫历。劫，亦作大时，劫跛、颠簸义。一增一减为一小劫。二十小劫构成一中劫。成劫、住劫、坏劫、空劫，此四中劫构成世界从形成到衰灭的一大劫。

Illustration 18 shows Sun Stone in Mexican National Museum; they also call it as The Calendar Stone. Chinese call the type of timely concept as catastrophe. Chinese dictionary explains catastrophe as big time, catastrophically lame, or vehicle bumping. One catastrophe includes four medium catastrophes, namely establishment, dwell, ruin, and empty. Each medium catastrophe is composed by 20 small catastrophes; and one increment and decrement compose one small catastrophe.

把中国劫的概念代入太阳石，则太阳石显示着墨西哥文化中天道轮回的四劫，依次为虎劫、风劫、雨劫、和水劫，如插图左边所示。本文以此四劫为标题来讲述1245-1345年间，舍利王（Huitzilopochtli）转世特拉洛克（即金童、亚当）和翠玉女（即玉女、夏娃），缔造墨西哥，成为墨西哥之父、新一任太阳神的过程。

According to above definition of catastrophe, Sunstone shows four catastrophes, namely Tiger catastrophe (TC, as shown in illustration), Wind catastrophe (WC), Rain catastrophe (RC), and Water catastrophe (FC, or flood catastrophe). This article uses the Four Catastrophes as titles to tell the story of how between 1245 and 1345, King Huitzilopochtli reincarnated Tlaloc (Gold Boy, Adam) and Chalchiuhtlicue (Jade Girl, Eve), founded Mexico, and became the father of Mexico and new sun god.

18.0.1 墨西哥的文化背景 Mexican Cultural Background

故事开始之前，先说说古代中美洲的文化背景。世界之初，阿弥陀（Ometeotl）来到世界上就是男女同体，也被称作阿弥陀男（Ometecuhtli）和阿弥陀女 （Omecihuatl）。他们俩生了四个儿子，红藏（Red Tezcatlipoca）、黑藏、白藏、蓝藏，各主宰一方。 此藏字是纳瓦特语的Tezcatlipoca，义为“冒烟的镜子”。

Before the story begins, let’s talk about the cultural background of ancient Mesoamerica. In the beginning, Ometeotl appears, it is both male and female. The couple’s names are Ometecuhtli (male) and Omecihuatl (female). They gave birth to four sons, the Tezcatlipocas of the East, North, West, and South. Tezcatlipoca is a Nahuatl word, means “Smoking Mirror”.

一、红藏（如插图18.0.1.1），主领东方的胜身洲，是农业和春天之神；亦名皮主（Xipe Totec）。皮主的那瓦特语义为“我们的主是个剥皮者”。皮即人皮，亦作黄金甲，即上帝给亚当（即金童）和夏娃（即玉女）穿上的人皮，即男戒三千威仪八万四千细行，和女戒五百威仪十万八千魅力（参见16.2节的最胜真如）。又红藏与心理疾病和眼疾有关，即看见他的人会感觉怪异，怀疑自己的眼睛出了毛病。

1. Red Tezcatlipoca (refers to illustration 18.0.1.1) is leader of east Victorious-Body Continent, is God of farming and springtime, alias Xipe Totec. Xipe Totec means “Our Lord the Flayed One”, is Golden Armors, is the skins God coated on Adam and Eve, what 3,000 majesties 84,000 enchantments are, and woman’s skins what 500 majesties 108,000 charms are (refers to section 16.2 Covenant Ark). And Red Tezcatlipoca is related to mental illness and eye disease, that is, people who see him will feel weird and suspect that there is something wrong with their own eyes.

二、黑藏（如插图18.0.1.2），亦名藏、大黑天、判官、特拉洛克（Tlaloc）、美洲狮等，主领北方的据颅洲，管理土地、魔法、欺骗等。

2. Black Tezcatlipoca (refers to illustration 18.0.1.2) is leader of north Skull-Occupant Continent, alias Tezcatlipoca, Judgment, Jaguar, Tlaloc, etc. It manages night, deceit, sorcery, and earth etc.

三、白藏（如图18.0.1.3），主领西方的牛惑洲，亦名灵龙（Quetzalcoatl；亦作羽龙），是风神，是法力（即意思食，参见11.5节）的赐予者，是《法典》的作者。

3. White Tezcatlipoca (see illustration 18.0.1.3) alias Quetzalcoatl, is leader of west Cow-Muddles Continent, is God of Light, Mercy, and Wind etc. is author of Codex, and giver of food Mana.

四、蓝藏（如图18.0.1.4），主领南方的瞻部洲，是意志和战争之神，是太阳神和光明的倡导者。

4. Blue Tezcatlipoca (see illustration 18.0.1.4) is leader of the south Admiring-Subordinates Continent, is God of will and war, advocator of godly light.

据说，蓝藏全部是用骨头造的；造蓝藏时，众神要等待600年，他才开始变黄，苏醒。黄色象征着新陈代谢，如出生动物的黄毛，秋天树叶变黄。600年后，这四方神圣一起创造了太阳神奥林·托纳修（Ollin Tonatiuh）、其它的神、世间万物、和人类等。插图18.0太阳石中心的那张脸就是奥林·托纳修，义为正等明的他（或她）出来照耀，相当于我们佛教的无上正等正觉，梵语啊褥多罗三藐三菩提。

Legend says, Blue Tezcatlipoca was made all by bones. When those gods and goddesses created him, they had to wait for 600 years, until him turns yellow, without him they wouldn’t be able to complete the world’s creation.  Yellow represents metabolism. Long stories short, blue Tezcatlipoca did wake up, together, they created the whole universe, including sun god Ollin Tonatiuh shown as center face in Sun Stone. 

古代墨西哥人认为太阳（神）每天东升西落，经历春夏秋冬、风霜雨雪，损耗很大，需要定期予以补给，需要神和人为之牺牲。如果太阳（神）消失了，王族人会成为从虮子出生的秽血人，湿气所生的泥血怪物歌利王等会盛行；人类社会会被腐败、战争、和自然灾害等所毁灭。在墨西哥的传说中，天道轮回往复，太阳（神）奥林·托纳修已经被多次再造。

Ancient Mexican viewed Ollin Tonatiuh constantly detracts by its awesome daily tasks across sky with sun each day, it needs to be recharged or renewed after a few centuries. If Ollin Tonatiuh vanishes, royal families’ blood turns into filthy louse’s blood, and moisture born mud blood Song-profit kings and queens prevail, then the world would be destroyed by corruptions, warmongers, earthquakes, tornados, and floods etc. Mexican believed Ollin Tonatiuh had been recreated many times in their long history. Each time renewing Ollin Tonatiuh, a God, a Goddess, and a few humans were sacrificed.

18.0.2 本文参考文献 References of the Article

图18.0.2-1至-6显示五对儿金童玉女（即亚当和夏娃）。图1是摩醯和首螺（苦芭芭），笔者家乡的穆斯林人称呼他俩为猪爷爷驴奶奶（参见4.4 猪爷爷驴奶奶）。他们还认为那就是我们汉人所崇拜的释迦摩尼和观世音菩萨；笔者我同意此观点。

Figures 18.0.2 shows five pairs of Gold Boys and Jade Girls (i.e., Adams and Eves). Picture 1 shows Moses and First Conch (Kubaba). The Muslims in the author's hometown regard them as Pig Grandpa and Donkey Grandma (See 4.4 Pig Grandpa and Donkey Grandma). They also think that they are Shakyamuni and View-Sound (Avalokitesvara) Bodhisattva that we Han people worship; I agree with this point of view.

图2是大日如来（铸尔，Thor）所造的亚当和夏娃（睚眦和磨牙，参见15.3节）。睚眦在佛教中是金刚牙佛。他们夫妻俩的作品就是《三千大千世界》，即苦谛。

Figure 2 shows Eve and Adam (Tanngrisnir [one that grinds teeth] and Tanngnjóstr [one that has gaps between the teeth], see Section 15.3) created by the Great Sun Thus-Come (Thor, Sun God). Tanngnjóstr is “Philosopher-Stone Teeth Buddha” in Buddhism. The couple’s work is Three-Grand Great-Grand Worlds (see chapter 13).

图3是宙斯所造的金童玉女（阿克泰翁和戴安娜，参见15.2节）。阿克泰翁是七色鹿佛。他们夫妻俩的作品是集谛。《集谛》原名《爱经》，亦作《业经》。

Figure 3 is Gold Boy and Jade Girl (Actaeon and Diana, see section 15.2) made by Zeus. Actaeon is Seven-Color Deer Buddha in Buddhism. The couple’s work is Aggregate Crux (see chapter 14). Aggregate Crux’s original name is Love Sutra in Chinese, alias Karma Sutra.

图4是常公和桃花女。常公是药师佛。他们俩的作品是《桃花劫》，参见本书的第2章。

Figure 4 is Constant-Fair (Gold Boy) and Peach Flower Girl (Jade Girl, see chapter 2). Constant-Fair is Medicine Buddha in Buddhism. The couple’s work is Peach Flower Catastrophe, a book of their own stories.

插图5是墨西哥的特拉洛克和翠玉女（即本文的两位主人公）。特拉洛克相当于佛教中的北方不空成就佛。他们俩的作品是《墨西哥法典》。本书中的大部分插图是他们俩画的。

Illustration 5 is Mexican Tlaloc (Gold Boy) and Chalchiuhtlicue (Jade Girl; the two protagonists of this article). Tlaloc is equivalent to “Northern Non-empty Achievement Buddha” in Buddhism. Their work is the Mexican Codex. Most of the illustrations in this book were drawn by them two.

释迦摩尼和观世音菩萨是两个从以上等金童玉女故事抽象出来的宗教寓言人物。为了方便理解和使用，中国佛教学会从许多金童玉女故事，从统计计算，建议释迦摩尼的觉悟年龄为38.7岁。目前，38.7这个金童平均觉悟的年龄已被华人世界的佛学爱好者普遍接受和使用。本文，笔者设置舍利王和特拉洛克的觉悟年龄为38.7岁。

Shakyamuni and View-Sound Bodhisattva are two religious fable figures abstracted from the above-mentioned stories of Gold Boys and Jade Girls. To facilitate understanding and use, Chinese Buddhist Association, based on statistical calculations from many stories of Gold Boys and Jade Girls, suggested that Shakyamuni’s enlightenment age was 38.7. Presently, the age has been generally accepted and used by Buddhist lovers in Chinese world. Therefore, in this article author me set 38.7 as Huitzilopochtli and Tlaloc’s enlightenment age.

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